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englisch artikel (Interpretation und charakterisierung)

Music in new york



 Music in historycal facts  In the first 100 years after the establishment of new york no music was popular
 Maybe Church service were with music
 1742 the first Organ was in NY
 21.01.1736 was the first publicly concert
 songs were with Harpsichord, Flute, Violin
 1750 the first Opera in the Nassau Street
 1753 the first Choral in the Trinity Church
 1825 italian and german Operas in Original for example Rossini and Mozart
Musical
 in the middle of the 19 century H.F. Gilbert und Sullivans Operettas on the Broadway
 very popular
 since 1890 "Musical Comedy" was more popular
 in the theatres on the broadway came a more standardizes musical
 songs of these Dramatic work became hits in the USA
 works from european Composers ,for example VERMON DUKE were very popular
 in the early 20 century these composers made the big part of the entertainment music
 durch Zusammenarbeit von R.Rogers und Osacr Hammerskin II entstand nach dem zweiten Weltkrieg eine Reihe von Musicals
 for example Oklahoma, The King and other
 after 1950 the musicals became a denser concentration
 by arising COUNTRYMUSIC, RAP, Rock\'n\'Roll determined musical no longer the American music scene
 Musicals were no longer popular,cause of the cinema and the tv
 Musicals became more expensive
 Some rescued them selves onto the Broadway
 Since 1980 american Musicals were displaced by british ones


Jazz
 In the 20th century most of the black population lived in Harlem
 Black Artists and composers were used increase the musical productions
 Since 1925 center for Jazz Music
 Harry Pac founded the BLACK SWAM CORPORATION in 1921
 First afro-american Music-Label
 There were white Jazz-Musicians,too
 These were most in Radio or Music-Studios
 Activists in the white scene were JimmyyDorsey,Dummy Godmun,Glen Miller
 Most popular black Orchestra was the band of the pianoplayer Fletcher henderson, these brought 1924 LOUIS ARMSTRONG to NY
 Black artists played mostly in the Colton Clib
 Colton Club wanted to bring an expressure of the black exotic culture to the guests
 Black peoples as guest were reluctantly seen
 1930 was a meeting of these artists
 1930 there was Splitting of the Jazzscene
 one part were bigbands in big clubs, the other part were little artists playing in little nightclubs

 1950 there was a cabarett law
 Licenses for Live music were assigned only under certain conditions
 Now only little bands with Retort bass and piano were playing
Rap and pop-musc

 Songwriter such as Doc Pomus, Jerry Lieber and so on created hits, those were important. for the Charts of the Popmusik
 These animated folkmusic to new success
RAP
 resulted from that meet one another several ethnical groups
 it was inventet at streetparties in the south bronx
 the big part of the afroamerican and hispanic population and immigrants from the carribean islands lived there
 rap is from the technic of the rapping
 diskjokeys put records with funk and discomusic on
 and played only the danceable rhytmic parts ab
 they moved the turntable neel from one part of the record to antoher on
 or they switched fromm one turntable to a second one
 these and other ones invented the rhytmic Speech singing with heavy social critic lyrics
 1981 the Sugarhill Gang (a NY-Rapper-Group) brought their first record on the market
 then more and more records were on the market, the most popular one wa GRANDMASTER FLASH (jetzt das Tape an)
 NY is untill now the centre of RAP on tha Estcoast

 
 

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